Lata Mangeshkar Bio, Age, Family, Early Life, and Education
Lata Mangeshkar, a legendary playback singer, was known for her unique voice and a vocal range that spanned more than three octaves.
She was born in the Indian city of Indore on September 28, 1929. She was the oldest in a family of five children. Pandit Deenanath Mangeshkar was her father, and Shevanti was her mother. His father, Master Dinanath, was a well-known Marathi theater figure.
She was first exposed to music at a young age. She recorded her debut song for Vasant Joglekar’s Marathi film Kiti Hasaal when she was 13 years old.
“Hema” was Lata Mangeshkar’s given name when she was born. Her parents then changed her name to Lata in honor of a female character called Latika in one of her father’s plays, BhaawBandhan. Meena, Asha, Usha, and Hridaynath are her siblings’ names in order of birth. They’re all talented vocalists and musicians. Her educational background isn’t well-known, but she demonstrated that a degree isn’t the only way to make money. Her father was the one who gave her her first music instruction. She began working as an actor in her father’s musical productions when she was five years old.
Cause of Death
Lata Mangeshkar, a legendary vocalist, died recently, and her passing has left India in sadness. On February 6, 2022, she died in Mumbai’s Breach Candy Hospital (Sunday). She was 92 years old at the time.
Singer Lata Mangeshkar tested positive for COVID-19 and was taken to the Breach Candy Hospital’s ICU on January 8th with minimal symptoms.
On Sunday and Monday, two days of mourning will be commemorated in honor of the great singer. According to reports, the National Flag will fly half-mast for two days as a gesture of respect for the Bharat Ratna awardee, and there will be no formal entertainment.
Lata Mangeshkar’s Biography: Her Musical Journey and Singing Career
She provided the singing voice for a slew of Bollywood leading women during the course of her six-decade career. Without a doubt, she made a huge effect on Indian cinema music. Since 1942, Lata Mangeshkar has pushed the frontiers of music with her mind-boggling abilities.
Lata Mangeshkar’s early career in the 1940s and 1950s
In 1942, Lata Mangeshkar’s father died of a heart attack when she was 13 years old. Master Vinayak or Vinayak Damodar Karnataki, the proprietor of the Navyug Chitrapat movie studio, looked after them. He was a close associate of the Mangeshkars. He aided Lata in launching her career as a singer and actor.
Lata Mangeshkar’s song “Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari” was released in 1942. Sadashivrao Nevrekar composed it for Vasant Joglekar’s Marathi film Kiti Hasaal. The song was deleted from the final version. Vinayak also had a brief part in Navyug Chitrapat’s Marathi film Pahli Mangalaa-gaur, in which she sang “Natali Chaitraachi Navalaai.” Dada Chandekar composed the piece. Her debut Hindi song was “Mata Ek Sapoot Ki Duniya Badal De Tu.”
She struggled as a teenager to support her family. In the 1940s, she made a name for herself as a playback vocalist in the Hindi cinema business. In 1945, she relocated to Mumbai. She began receiving Hindustani classical music instruction from Ustad Aman Ali Khan of the Bhindibazaar Gharana. She sung the song “Paa Lagoon Kar Jori” for the film Aap Ki Seva Mein (1946), which was written by Datta Davjekar. Lata and her sister Asha both had tiny parts in the 1945 film Badi Maa. She also performed the Bhajan “Mata Tere Charnon Mein” in this film.
Vinayak died in 1948, and Ghulam Haider, the music director, groomed her as a vocalist. Sashadhar Mukherjee, the producer, was introduced to Lata by him. Her fate was decided when she recorded the song “Uthaye ja unke sitam” in Andaz (1949). From Nargis and Waheeda Rehman through Madhuri Dixit and Preity Zinta, she provided her musical voice to every significant leading woman, representing every age of Hindi film.
Mahal (1949), Barsaat (1949), Meena Bazaar (1950), Aadhi Raat (1950), Chhoti Bhabhi (1950), Afsana (1951), Aansoo (1953), and Adl-e-Jehangir (1953) were among the commercial films in which she sang (1955).
She also sang for Naushad in films like as Deedar (1951), Baiju Bawra (1952), Amar (1954), Uran Khatola (1955), and Mother India (1956). (1957). Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her debut song for composer Naushad. Shankar–Jaikishan cast Lata in Barsaat (1949), Aah (1953), Shree 420 (1955), and Chori Chori (1959), among other films (1956).
S.D. Burman picked Lata as the primary female vocalist in his musical compositions for Sazaa (1951), House No. 44 (1955), and Devdas (1957) before 1957. (1955). Lata Mangeshkar and R. D. Burman fell out in 1957, and she didn’t perform his works again until 1962.
For Salil Chowdhury’s composition “Aaja Re Pardesi” from Madhumati, she received the Filmfare Award for Best Female Playback Singer (1958). She appeared in films directed by Madan Mohan, including Baagi (1953), Railway Platform (1955), Pocketmaar (1956), Mr. Lambu (1956), Dekh Kabira Roya (1957), Adalat (1958), Jailor (1958), Mohar (1959), and Chacha Zindabad (1959). (1959).
Lata Mangeshkar’s Singing Career in the 1960s, 1970s, and 1980s
How can we forget Mughal-e-song Azam’s “Pyar Kiya To Darna Kya”? (1960). This song was masterfully sung by Lata Ji, and it has remained in everyone’s heart ever since. Madhubala lip-synced it after Naushad penned it. Also, Lata Ji sang “Ajeeb Dastaan Hai Yeh” from Dil Apna Aur Preet Parai (1960), which is one of my favorite songs. Shankar–Jaikishan wrote it, and Meena Kumari lip-synced it.
Lata Mangeshkar recorded two classic bhajans for Burman’s assistant, Jaidev, in 1961: “Allah Tero Naam” and “Prabhu Tero Naam.” In 1962, she won her second Filmfare Award for Hemant Kumar’s composition “Kahin Deep Jale Kahin Dil” from Bees Saal Baad.
In January 1963, Lata Ji sang a patriotic song against the background of the Sino-Indian War. In the presence of Jawaharlal Nehru, India’s Prime Minister at the time, the song was “Aye Mere Watan Ke Logo.” The song is claimed to have moved former Prime Minister Jawaharlal Nehru to tears. C. Ramchandra composed the song, which was penned by Kavi Pradeep.
In 1963, Lata Ji reunited with S. D. Burman for another collaboration. She subsequently went on to sing in R.D. Burman’s debut film, Chhote Nawab (1961), as well as later films like Bhoot Bungla (1965), Pati Patni (1966), Baharon Ke Sapne (1967), and Abhilasha (1968). (1969).
“Aaj Phir Jeene Ki Tamanna Hai,” “Gata Rahe Mera Dil” (duet with Kishore Kumar), and “Piya Tose” from Guide (1965), “Hothon Pe Aisi Baat” from Jewel Thief (1967), and “Kitni Akeli Kitni Tanhaa” from Talash were among the popular songs she recorded.
“Aap Ki Nazron Ne Samjha” from Anpadh (1962), “Lag Jaa Gale” and “Naina Barse Rim Jhim” from Woh Kaun Thi? (1964), “Woh Chup Rahen To” from Jahan Ara (1964), “Tu Jahan Jahan Chalega” from Mera Saaya (1966), and “Teri Aankho Ke Siva” from Chirag (1969).
In the 1960s, Lata Ji began her collaboration with Laxmikant-Pyarelal, the music director for whom she performed the most famous songs.
Over the course of 35 years, she is believed to have performed over 700 songs for the composer couple, many of which became successes. She sung in films such as Parasmani (1963), Mr. X in Bombay (1964), Aaye Din Bahar Ke (1966), Milan (1967), Anita (1967), Shagird (1968), Mere Hamdam Mere Dost (1968), Intaquam (1969), Do Raaste (1969), and Jeene Ki Raah (1969). She won her third Filmfare Award for her performance.
She sung various Marathi cinema playback songs. She also sung numerous Bengali songs in the 1960s and 1970s. During the 1960s, she sang duets with Kishore Kumar, Mukesh, Manna Dey, Mahendra Kapoor, and Mohammed Rafi.
Meena Kumari’s last film, “Chalte Chalte,” was released in 1972 and contained famous songs like as “Chalte Chalte” and “Inhi Logon Ne,” which were performed by Lata Ji and written by Ghulam Mohammed.
She also recorded popular songs for S.D. Burman’s final films, including “Rangeela Re” from Prem Pujari (1970), “Khilte Hain Gul Yahaan” from Sharmeelee (1971), and “Piya Bina” from Abhimaan (1973), as well as Madan Mohan’s final films, including Dastak (1970), Heer Raanjha (1970), Dil Ki Rahen (1973), Hindustan Ki Kas (1976).
In the 1970s, Laxmikant-Pyarelal and Rahul Dev Burman penned a number of songs for Lata Mangeshkar. She also co-wrote and co-wrote successful songs with Rahul Dev Burman for films such as Amar Prem (1972), Caravan (1971), Kati Patang (1971), and Aandhi (1972). (1975). Majrooh Sultanpuri, Anand Bakshi, and Gulzar are among the lyricists who have collaborated with the two.
For the song “Beeti Na Bitai” from the film Parichay, she got a National Film Award for Best Female Playback Singer in 1973. R.D. Burman created the music, while Gulzar wrote the lyrics. In 1974, she sung the Malayalam song “Kadali Chenkadali” for the film Nellu. It was penned by Vayalar Ramavarma and composed by Salil Chowdhury.
In 1975, she received another National Award for the song “Roothe Roothe Piya” from the film Kora Kagaz, which was written by Kalyanji Anandji. She also organized a number of performances, including numerous charity events, beginning in the 1970s. She performed her debut performance in the Royal Albert Hall in London in 1974, making her the first Indian to do so.
“Chala Vaahi Des,” an album of Mirabai’s Bhajans, was also issued by her. Hridaynath Mangeshkar composed the music.
In 1978, Rak Kapoor directed Satyam Shivan Sundaram, in which Lata Ji sung the main theme song “Satyam Shivam Sundaram,” which became the year’s biggest success.
She collaborated with composers such as Rahul Dev Burman, son of Sachin Dev Burman, Rajesh Roshan, Anu Malik, son of Sardar Malik, and Anand–Milind, sons of Chitragupta in the late 1970s and early 1980s. Several songs were also sung in the Assamese language. Rudaali (1993)’s song “Dil Hoom Hoom Kare” had the biggest record sales that year.
She sang for films such as Karz (1980), Ek Duuje Ke Liye (1981), Silsila (1981), Prem Rog (1982), Hero (1983), Pyar Jhukta Nahin (1985), Ram Teri Ganga Maili (1985), Nagina (1986), and Ram Lakhan (1986) beginning in the 1980s (1989). At the time, her song “Zu Zu Zu Yashoda” from Sanjog (1985) was a smash.
She also performed for Tamil films in the late 1980s. In the 1980s, Lata ji’s biggest hits were “Sheesha Ho Ya Dil Ho” in Asha (1980), “Tu Kitne Baras Ka” in Karz (1980), “Kitna Aasan Hai” in Dostana (1980), “Hum Ko Bhi Gham” in Aas Paas (1980), “Mere Naseeb Mein” in Naseeb (1980), “Zindagi Ki Na Too (1989).
Bappi Lehri also penned songs for Lata Ji, including “Dooriyan Sab Mita Do” in Saboot (1980), “Baithe Baithe Aaj Aayi” in Patita (1980), “Jaane Kyun Mujhe” in Agreement (1980), “Thoda Resham Lagini Hai” in Jyoti (1981), “Dard Ki Ragini” in Pyaas (1982), and “Naino (1983).
She also had successes in the 1980s, such as “Sun Sahiba Sun” in Ravindra Jain’s Ram Teri Ganga Maili (1985), “Chand Apna Safar” in Shama (1981), “Shayad Meri Shaadi” and “Zindagi Pyar Ka” in Souten (1983), and “Hum Bhool Gaye Re” in Usha Khanna’s Souten Ki Beti (1989). “Kale Kale Gehre Saye” in Chakra (1981), “Ye Ankhen Dekh Kar” and “Kuchh Log Mohabbat Ko” in Dhanwan (1981), “Mujhe Tum Yaad Karna” in Mashaal (1984), “Jonakore Rati” (1986) for Amar-Utpal, “Jaane Do Mujhe” in Shahenshah (1989) for Amar-Utpal Uttam Jagdish starred in Jamuna Saraswati (1988) and Waaris (1989) in “Mere Pyar Ki Umar.”
Lata Mangeshkar was asked to play at Maple Leaf Gardens by the United Way of Greater Toronto in June 1985. She performed the song “You Needed Me” on stage. Around 12,000 people attended the show.
Career of Lata Mangeshkar in the 1990s and 2000s
She worked with a variety of music directors throughout the 1990s, including Anand-Milind, Nadeem-Shravan, Jatin-Lalit, and others. She also established her own Hindi film production firm in 1990, which produced the Gulzar-directed film. Lekin….. For the song “Yaara Sili Sili,” she got her third National Film Award for Best Female Playback Singer. Hridaynath, her brother, penned it.
She has performed in practically all of Yash Chopra’s films as a singer. During this time, A. R Rahman collaborated with her on a few songs, including “Jiya Jale” in Dil Se.., “Khamoshiyan Gungunane Lagin” in One 2 Ka 4, “Ek Tu Hi Bharosa” in Pukar, “Pyaara Sa Gaon” in Zubeidaa, “So Gaye Hain” in Zubeidaa, and others.
Shraddanjali – My Tribute to the Immortals was also published in 1994. The film’s primary highlight is Lata Ji’s homage to legendary singers of the period by singing a few songs in her own voice. She sung “Kuch Na Kaho” for Rahul Dev Burman’s last song, 1942: A Love Story, in 1994.
In 1999, Lata Eau de Parfum was introduced as a perfume brand. In the same year, she received the Zee Cine Award for Lifetime Achievement. In 1999, she was again nominated for a seat in the Rajya Sabha.
In 2001, she received the Bharat Ratna, India’s highest civilian honor. In the same year, she founded the Master Deenanath Mangeshkar Hospital in Pune. The Lata Mangeshkar Medical Foundation was in charge of it.
She also contributed to the earthquake relief efforts in Kashmir in 2005. For the film Lajja, she also recorded her debut Hindi song with composer Ilaiyaraaja. In the film Eternal Sunshine of the Spotless Mind, her song “Wada Na Tod” was used (2004). On June 21, 2007, the album Saadgi was released.
The Career of Lata Mangeshkar in the 2010s
On April 12, 2011, she released the album Sarhadein: Music Beyond Boundaries. It includes Mangeshkar and Mehdi Hassan’s duet “Tera Milna Bahut Acha Lage.” She also recorded “Kaise Piya Se” for composer Nadeem-film Shravan’s Bewafaa (2005). Shamir Tandon also recorded a song with her for the film Satrangee Parachute called “Tere Hasne Sai Mujheko” (2011).
She also had a song produced in her own studio. “Jeena kya hai, jaana maine” was the song for Dunno Y2-Life Is A Moment (2015).
On November 28, 2012, she founded her own music company, LM Music, with a bhajan CD. In 2014, she released a Bengali album. Mayuresh Pai created the song “Saugandh Mujhe Is Mitti Ki,” which she published in 2019. It was a gift to the Indian army and the country.
Why Lata Mangeshkar never got married? Here’s what she said about love, marriage and having kids
There are no doubts that Lata Mangeshkar had a long and illustrious career. Her personal life stayed hidden from the gossip columns while she was building a reputation for herself in the music business, raising her four siblings, and dedicated her life to movies. There were certain rumors alleging her connections to certain high-profile people at one time, but the singer’s dignified silence on rumors of any link-ups or romances never fueled these stories. The legendary vocalist and Bharat Ratana Awardee has chosen to live her whole life single.
While Mangeshkar often avoided queries about her personal life, she did offer her ideas on love, marriage, and children and their importance in her life on a few occasions.
Also see: What is Lata Mangeshkar’s legacy and how did she get her name? Investigating the origins of Hindi cinema’s first musical family
When asked who she considers to be her fortunate guy and how love has inspired her, Lata told Hindustan Times, “There are certain things that only the heart can understand. Allow me to maintain the status quo.”
In addition, she addressed the prevalent belief that a woman is “incomplete” until she is married and has children. “People say a variety of things, so learn to tune them out. Otherwise, living a happy life would be challenging. Negative and dismal energies should be kept at bay. That’s something I’ve always done “She expressed the same thing in a 2013 interview.
In addition, the Nightingale of India remarked, alluding to an interview with Kiran Rao in which she discussed the same topic, “Unhone khoobsurat bola bola bola bola bola bola bola bola bola bola (she has spoken beautifully). It’s important to first establish pleasure and fulfillment inside oneself; otherwise, the ideal of being satisfied only via marriage or children loses its meaning.”
Production Biography of Lata Mangeshkar
She has four films under her belt:
In Marathi, the year 1953 is known as Vaadal.
Jhaanjhar, a Hindi film co-produced with C. Ramchandra, was released in 1953.
Kanchan Ganga is a Hindi film released in 1955.
In Hindi, Lekin was released in 1990.
Awards and Honors in Lata Mangeshkar’s Biography
She received several accolades and honors, some of which are mentioned below:
ANR National Award, 2009
The Legion of Honour was established in 2007.
Bharat Ratna, India’s highest civilian honour, was bestowed in 2001.
Padma Vibhushan was awarded in 1999.
Zee Cine Award for Lifetime Achievements (Zee Cine Award for Lifetime Achievements) (Zee Cine Award for Lifetime Achievement
NTR National Award, 1999
Maharashtra Bhushan Award, 1997
Dadasaheb Phalke Award, 1989
Three National Film Awards: 1972, 1974, and 1990
The Bengal Film Journalists’ Association has given out 15 awards.
Four Filmfare Best Female Playback Awards (1959, 1963, 1966, and 1970).
Filmfare Lifetime Achievement Award, 1993
Filmfare Special Awards in 1994 and 2004
The Lata Mangeshkar Award was established by the Madhya Pradesh State Government in 1984.
In 1992, the Maharashtra State Government established the Lata Mangeshkar Award.
Padma Bhushan is awarded in 1969.
2009 – She was named Officer of the French Legion of Honour, the country’s highest honor.
In the Greatest Indian poll conducted by Outlook India in 2012, she was placed number ten.